Newest Nests

Lately I have been doing more work on the Transmigrate series, cutting up maps, packaging, the boys' old text books and other flotsam and jetsam that comes my way. Recently I found out that the original forms I constructed for this series last year, have been preselected (from an incredulous 463 entries) for the Stanthorpe Art Prize which opens next weekend.

Square by Square Exhibition

A few nights ago was the opening of the Square by Square exhibition at ArtSpace on 7, in which a group of Chiang Mai based artists were given a 12" x 12" square to construct onto. The theme of the show was Time, Vision and Invention and my work for this show, titled September 2007, was a reflection on the recent crackdown on monks protesting in Rangoon.

I worked with layers of red acrylic onto which I attached a nest made from fibres from the Banyan tree outside my studio. Have been busy lately and only managed time to do one square (mine is the one in center of the photograph below) but it was a good opportunity to meet some new artists and the work looked great thanks to the wonderful folk at ArtSpace who worked hard to organise the show.

Loom work

A new direction! Since taking the boys to Jim Thompson's kids weaving workshop, I have starting weaving on a little hand-made loom with pineapple fibre and red nylon fibre from the local hardware store. Fun playing around with language and some new techniques .. have been a bit obsessed - weaving until late into the night - good for my patience, not good for my neck.

Glasswing Butterflies

Glasswing Butterflies - magical !

Guerilla Knitters

Stockholm, Sweden


I have just been reading about 'knit grafitti' and stumbled across the website for knitta, a crew of knitters who tag public spaces with their gorgeous colourful craft. 

Kids Weaving Workshop

Recently I took my two young sons to the Jim Thompson Art Center in Bangkok to see the exhibition 'Weaving Paradise: Southeast Asian Textiles and their Creators'. As part of the education program accompanying the exhibition, the boys participated in a kids weaving workshop, where they learned to weave on a loom and gained a greater appreciation of the incredible amount of time and skill needed to produce the beautiful hand-woven textiles that we see all the time in SE Asia but tend to take for granted.

It is great to see the private sector in Thailand offering free art events like this and as someone who works in art education, I couldn't believe the huge amount of time and effort the girls at JT spent preparing looms and materials for the workshop. Yay Jim Thompson!

Here's a picture of Jonah-Boombie with his beautiful weaving ..

ArtSpace on 7

I have recently begun writing art articles for a local magazine. You can read my article here.

                           Artwork by Laura Spector and Chadwick Gray

Not taking colour for granted

Since reading more about the recent political crackdown in Burma and the censorship of art, I have been thinking about red and how much I take for granted colour and the freedom to use colour. At the moment in Burma, red is considered subversive and consequently any artworks or exhibitions that are predominantly red are heavily censored. It has inspired me to begin collecting red materials to work with .... because I can and because so many Burmese can't.

Pink Period

This week I've been playing with pink!

In Thailand at the moment there is a pink shirt craze. Recently the Thai King suffered a stroke and when he was released from hospital he was wearing a smart pink blazer. Apparently an astrologer has advised him to wear pink to aid recovery and as a result, there have been floods of pink shirts at local markets as people around the country have been wearing pink shirts as a tribute to the Thai king and to help him regain his health.

Thai King sparks pink shirt craze

Inspired by all this pink, I began some new work using bamboo, dyed raffia, copper wire, hemp, plastic and waxed linen.

Chaw Ei Thein

Lately I have had the chance to hang out a bit with Burmese artist Chaw Ei Thein, who is truly a Renaissance woman ! She is based in Rangoon where she runs Soulflower Gallery and a children's art workshop.  She paints, does performance art, curates, writes, teaches, dances ....  
I first met Chaw Ei at the Asiatopia Symposium where she did an awesome performance piece on the current climate in Burma and delivered a paper on Performance Art in Burma. Before talking with Chaw Ei, I hadn't realised how exciting the developing contemporary art culture in Rangoon is, despite the huge obstacles the artists face. Chaw Ei gave a talk to my students about these challenges and ways that the artistic community attempts to overcome them. 

Transmigrate

I have just bundled up and sent off some work from my Transmigrate series to 4a Gallery (Asia Australia Arts Center) in Sydney for the 10th Annual Members Exhibition.

Journey of Kumjing

I love this project! It's called The Journey of Kumjing and is coordinated by Chantawipa and Chumporn Apisuk in collaboration with Empower Foundation. It comments on the experience of women migrant workers in Thailand. The project began back in 2003 with the production of paper mache 'dolls' by migrant workers in Mae Sai, Thailand. Each 'doll' has an identity and a pink passport which allows them, unlike most migrant workers to be able to travel freely and safely.  The dolls have travelled to variety of cities in Thailand and countries abroad, attending conferences and some have even been 'adopted' by foreigners. 

I recently met Chumporn Apisuk at Asiatopia in Chiang Mai. I love this project in that it reaches broadly into the community with artists working working migrant women to construct the dolls. And a large part of this project seems to be educating the Thai and foreign communities about the conditions that Burmese migrant women face in Thailand. I also think it's a great project for its longevity.

At last !

Picked up this handy little breath spray in Bangkok a few weeks ago.

Angkrit Ajchariyasophon; Siamese Twins

Chaing Rai based artist Angkrit Ajchariyasophon spent 24 hours of the weekend of Asiatopia ‘connected at the hip’ (with the aid of a special designed canvas harness) to Hafiz, a young Singaporean fireman he had met only 6 hours earlier. This performance was inspired by the infamous congenital twins Chang and Eng Bunker, who originally came from Thailand (Siam is old name for Thailand). Angkrit and Hafiz remained connected for 24 continuous hours and as they went about their business, distributed information about the Bunker twins. Angkrit told me he was drawn to the idea of becoming a siamese twin for a day as he was interested in the construction of Thai identity as oriental, exotic and freakish.

More photos

Last year I saw a group exhibition Platform at Queens Gallery in which Angkrit exhibited an installation "The Perfect English Gentleman" which documented his transformation to being a 'perfect English Gentleman'. Angkrit is the Thai word for English.

9th Asiatopia

I have spent the last few days at the 9th Asiatopia festival (and Southest Asia Performance Art Symposium) being inspired by thoughtful and moving performance artworks and lively dialogue about performance art and cultural democracy in SE Asia.

Too many highlights to name all but I thought I would dedicate my next few blog posts to some of the artists I met there.

A (not so old) favourite

This morning I stumbled across this beautiful, little, dyed pandanus basket in one of my 'places to keep special things'. I remember that I bought this basket in Krabi, but am thinking it must have been 10 years ago, which was well before I began working with natural fibres. Anyway, I estimate that I have moved homes a good 15 times in the last ten years so am impressed that the little basket and I are still together.

Pandanus leaves and this style of weaving are used by women in Southern Thailand; my mother-in-law used to work like this (before she became addicted to daytime TV) and used to always have pandanus drying under and around her house. Most of the older women I know in Krabi have skills in preparing and weaving pandanus for floor mats and I have seen in some of the Urak Lawoi (sea gypsy) communities I have been to, that pandanus weaving is still very much alive. Unfortunately though, so many places in Southern Thailand have become overrun with tourism and invaded by Tescos and Macros that artforms like these and traditional weaving skills are rapidly being lost.

Art/craft debate

On the footpath outside Chatuchak market; whichever way you swing on the art/craft debate, these are great.

Transmigration

Some recently completed works from my Transmigrate series.

Burma

Burma has been dominating the headlines the past few weeks. Heavy fisted Than Shwe and his cronies have once again silenced opposition to their regime with violence and blood.

http://www.irrawaddy.org/

In 1993, I became good friends with Ma Khin Mar Mar Kyi (Mar) when we moved into the same house in Bangkok. I had just finished a privledged and exciting backpacking experience around India and Mar had just been forced to leave her home, family and friends in Rangoon and become a political refugee from Burma. Same age, same time, same roof, different lives. Through her personal history, Mar educated (educates) me about the social and political climate that lead to the 8/8/88 political uprisings throughout Burma and the oppression in Burma that continues today. In 1995 Mar migrated to Australia and is now a well recognised Burmese scholar in Australia, researching and working with victims of trafficking, migrant workers and stateless children.

Last year Mar made a presentation Hidden Stories: Cost of Burmese militarization on women and children at Parliament House in Canberra.

Mar and I speak at least weekly and she helps me to understand the complexities and challenges of life for the Burmese, both those inside Burma and those who live in exile. For me it is hard to understand why Burma's neighbours can't just pull together and expel Burma from ASEAN or why the Security Council cannot place Burma higher on it's list of priorities? I know it not as simple as this, but it is frustrating to see it take so long to bring change to Burma. On the other hand, in 1988 very few people in the international community knew what was happening inside Burma. This week, despite the tragic events, it has been great to see the widespread media coverage of Burma.


This is a picture I took of Mar in 2002 when we protested at Parliament House in Canberra, Australia on the 15th anniversary of the 1988 political uprising in Rangoon.


Mar and I in Laos around 1998.

Bird Nest Stadium

I have been reading about Chinese artist Ai Weiwei and his design for the Beijing National Stadium which will be used for the 2008 Olympics. It was conceived as a large vessel; like a bird's nest with interwoven twigs. I love how the facade and structure are the same thing with the structural elements mutually supporting each other. Also interesting to see how the open, unenclosed structure provides for natural ventilation - nature's solution to sustainable design.

The Beijing Olympics, of course, are full of controversy with widespread reports of forced evictions and demolition of houses to allow for the rapid redevelopment of Beijing make way for construction projects for the games.

Recently Ai Weiwei has stated that he will boycott the Olympic Games and will not allow himself to be associated with either the government or the games. In the article below Ai Weiwei states, "I very openly criticise the tendency to use culture for the purpose of propaganda, to dismiss the true function of art and the intellect."

Olympic artist attacks China's pomp and propaganda

Coming Soon - Asiatopia

In a few weeks the 9th Asiatopia (Performance Art Festival) will be held in Chiang Mai, accompanied by The Southeast Asian Performance Art Symposium 2007. I'm looking forward to seeing some new art and am particularly keen to seen performance works from Burma.

I was looking at the logo for the 7th Asiatopia festival in 2005 - and thought it was a funny coincidence that it was 'dedicated to all chickens and birds who died of Avian Flu in Asia and the rest of the world' .

Kinaree

Kinaree line drawing and sculpture at Suvarnabhumi Airport in Bangkok.

Lately I've become a bit obsessed with all things birds.

Kinaree (in Thai กินรี) is a half bird-half female creature from Hindu and Buddhist mythology who inhabits the legendary himmapan forest. Her upper half is human form and lower half is similar to a bird which allows her to fly between the human and mythical words. Kinaree is said to be the 'traditional symbol of feminine beauty, grace and accomplishment'.

Di·as·po·ra

Di·as·po·ra (dī-ās'pər-ə)

[Greek diasporā, dispersion, from diaspeirein, to spread about : dia-, apart; see dia- + speirein, to sow, scatter; see sper- in Indo-European roots.]

Birds, H5N1 and Irony

Lately I have started a new series of work.

It is nesting season and I have been noticing lots of the most beautifully detailed and delicate Scaly-breasted Munia lonchura punctulata nests on my verandah and in the trees around our apartment in Chiang Mai. Being a weaver, I can't help but admire the materials and structure of these amazing forms. Apart from this, birds serve as a metaphor for the migratory experiences of families like mine that move between different parts of the world, and nests as the temporary and fragile resting places that we construct, abandon and sometimes reclaim along the way.

Moving back and forth between 3 very different cultural spheres allows me to look at experiences and people around me in a somewhat detached and analytic way. I spend part of my year in the coastal, suburban area where I grew up in Queensland, Australia, another part living in a community of Thais and expatriates from all parts of the world in Chiang Mai and a third part in the coastal Muslim community in which my husband grew up in Krabi, Southern Thailand.

I have always thought it fascinating how birds are able to move between spaces and places, carrying seeds in their bellies and shitting them out in a new environment, facilitating the spread of plant species and creating new 'hybrid' environments, much like the diaspora of communities of people around the world who fertilize new cultural spheres.
Besides all this, birds and the beautiful nests they craft, are simply an awesome aspect of our natural environment!

I have been considering this in relation to the current fear of birds surrounding H5N1 (Asian Bird Flu) and the potential that exists for a global influenza pandemic. This hit home last week when I rushed a friend to a hospital ER with a very high fever and we were hit with a barrage of questions about birds and our contact with them. I though immediately to one of my favourite daily rituals - an early morning cup of tea on my verandah watching the birds going about their business and feeling very special to have them nesting right on my doorstep.

It turns out that my friend only had Leptospirosos (yes, the rat urine bacteria!) but the interrogation in the ER prompted me think about the irony of something so alluring and liberated as birds being such a threat. I started this series of new work with this in mind.

Recently I stumbled across a fabulous pack of coasters with kitsch bird designs on them and am using the coasters as the base of these works and constructing onto them with finely split bamboo that the rice farmers around Chiang Mai use to tie bundles of rice together.

Measuring Up

Last year I gave in ! Sick of the Great Australian Rental Scam, I signed away and took out the dreaded lifelong bank mortgage for my first home. Each month, on Repayment Day I think of all the (other) things I could do/would rather do with money ...

Anyway, when I was in Brisbane in June, I went in one of those ridiculously large Ikea stores full of mass-produced goods from China, oops I mean Sweden. The whole material culture is just insane - the (in)security of massive home loans (and always increasing interest rates - thanks Howard), the need to fill hard-earned homes with shit you don't really use and certainly don't need.  Ikea's slogan - affordable solutions for better living.

I didn't buy anything from Ikea but instead 'acquired' some of the lovely little paper measuring tapes they give you as you walk around the store to make sure everything you buy fits just right. Lately I have been shredding the measuring tapes and random weaving with them. No easy feat! 

I am playing with the idea of nests paradoxically as security and fragility.

I love how these have turned out! Initially I was worried that structurally these forms were weak and tried other weaving techniques; later realising that the lack of structural support in these forms provided a perfect metaphor for the whole mythology of home ownership/living in debt to the bank. It is also an appropriate comment on the fragile lives of so many that are affected by free markets and labour exploitation by multinationals corporations.

Anyway, not sure where these pieces/ideas are headed, for now they are sitting around brewing.

Random Weaving

One technique that I often use in my work is random weaving which is just how it sounds - a construction technique where the material is simply woven back into itself.

It's a very spontaneous way to work and often the materials dictate the final form. I constructed this piece from Banglow Palm stalks back in 2003.

Tibetan Art

Leslie and Terris Nguyen Temple are two friends of mine who have trained in traditional Tibetan thangka art techniques. Their studio, Temple Art Studios, is based in Chiang Mai, Thailand and they are involved in some absolutely amazing art projects to restore aspects of Tibetan culture, following the invasion of Tibet in the 1960s.


They are commisioned to co-ordinate the production of silk and brocade appliqué thangkas, often replicas of works which have been destroyed during the invasion. This image is of a 35 x 24 meter silk appliqué which they worked on in the 1990s and is housed at Tsurphu Monastery. I love the scale of this work ! I can't even get my head around how big that actually is, let alone how it possibly could be constructed (Leslie tells me in a very large gym, with many hands and under the auspicious eyes of Venerable Drupon Dechen Rinpoche, Abbott of Tsurphu Monastry). 1,500 meters of silks and brocades, 70 shades of colour, 70 workers and 2 years!

Leslie is also my yoga teacher and every Monday night manages to twist my body into all sorts of pretzel shapes.

Cabbages and Condoms

When in Bangkok recently I had a meal at Cabbages and Condoms, a restaurant in the grounds of the Population and Community Development Association which was set up Thai politician and social activist Mechai Viravaidya, commonly known as 'Condom Man'. The restaurant decor leans heavily towards the use of condoms and contraception pill packs out of which light shades and wall decorations are made. I particularly loved the Mona Lisa with her cheeky smile and Durex, and this fabulous safe-sex haute couture.

Worth a visit if you are ever in Bangkok. Sukhumvit Soi 12.

To Plastic or Not to Plastic ?

For a few years I have been working with predominantly natural fibres that I find in the environment around me. Sometimes, however, I look around at the local markets that I shop at and I am overhelmed by the sheer amount of plastic that is around me - vessels of all shapes and sizes and in a wide range of fabulous colours. Thailand - Land of Smiles (and Plastic).

I have been playing around with some new media - the plastic threads that are used to make Scoobies. A few years back I remember that the teenage kids I taught were almost fanatical about making these things.(I just had a look on the net to see whether I was spelling that correctly and found in fact they can be called scoubidous, scoubi, scoobie, boondoggles, lanyards or gimps!)

See Scoubidous.

Anyway, I came across some packs of the plastic threads and it got me thinking about fads, and how their short-lived fame has such a long-lasting impact on the environment. I have been playing around with the threads, random weaving with them and enjoying their bright and alluring colours.

Weekend in Bangkok

Still recovering from my huge weekend in Bangkok! Managed to catch a load of great exhibitions and of course, didn't see half of what I wanted to.

One of the highlights of the weekend was Cambodian artist Sopheap Pich's exhibition Tidal at H Gallery. Beautiful, large-scale rattan pieces that made me want to jump inside them. I was particularly interested in the references to Khmer history and society and the connection between to the artworks and Sopheap's experience of surviving genocide to become a refugee as a child, moving to the US, and then returning to Cambodia as an adult.

This piece was inspired by Tonle Sap and it's unique tidal system (at different times of the year, water flows both down and upstream from the lake). There was also a fabulous installation of rattan dogs which appeared to be partly submerged in water; a nice play on perspective using the gallery wall to represent the surface of the water.


Another highlight of the weekend was Confectionaries and Conurbations an exhibition which an old mate of mine Steve Pettifor has recently curated. Fabulously colourful and playful work by 2 female, Asian, disaporic artists - Tiffany Chung and Chila Kumari Burman.

100 Tonson Gallery is one of my favourite Bangkok galleries (largely because of the exhibitions and artists they choose to represent and also because it is one of the few galleries not inside a Bangkok shopping mall!); definately worth a look if you are in Bangkok.

Steve Pettifor and I arrived in Bangkok around the same time in 1992 and became part of a circle of friends. While I have jumped in and out of the kingdom in the time since then, he has remained firmly on Thai soil and has carved out a niche for himself as a Bangkok-based art writer and curator. A few years back he published the text Flavours - Thai Contemporary Art which gives a good overview of some of the more recognised Thai artists. He puts together a monthly Bangkok Art Map (BAM) which can be picked up in galleries around town - a great publication to get your hands on as just so much art to check out in Bangkok. Great to catch up with him after a number of years; he gave an informative talk to my students about curatorial and art-writing work and the artists represented in Confectionaries and Conurbations.


Also caught a great show of contemporary Indian art Here and Now at Soulflower gallery and Chiang Mai-based Kamin Lertchaiprasert's latest offerings at Tang Contemporary Art Gallery. Some fabulous work.

An exhibition I really enjoyed was Hoopla Loop at Art Republic, a colourful exhibition of 3 young Chaing Mai artists, Luck Maisalee, Artid Poonyasiri and Torlarp Larpjaroensuk.

Unfortunately the weekend was cut short by a horrible bout of Leptospirosis (yes, the rat urine disease!) as a friend who was with me had to be hosptalised after catching this nasty bug on a white water rafting trip the previous weekend. So, I spent the next few days check out the watercolours which wallpaper the halls of Bumrungrad Hopsital in Bangkok.... anyway, this trip reminded me what an exciting city for contemporary Asian art Bangkok is and I have started making plans for another trip in a few weeks.